1. The logistics (and cost) of posting parcels around the world means that the works we produce are mostly small in size. Is this inevitable or is it possible to produce a larger scaled work?
2. The splitting of a large number of artists into sub-groups means that the work we each produce is mostly shared only with the others in our sub-group. Is it possible to produce a work that is equally accessible to all?
3. One of the defining features of Sarah Bodman's An Exercise for Kurt Johannessen was its ephemeral nature - it ceased to exist almost as soon as it was created. Should (and if so how should) this be acknowledged?
4. Editioning can be tedious. Is there a way of making the end point seem more than the satisfactory execution of a multitude of repetitive tasks?
The result is an installation that existed for the time it took for a record to be made of its existence.
6 comments:
And very thrilled I am to have received it Terence - it is a delightful wee masterpiece!
Very nice! All the different red and white patterns are lovely. Thank you for sharing the installation with all of us :)
How intricate. How beautiful.
I believe I am equally as taken with your hypotheses as your artwork, Terence! Each extremely well thought out, it appears :)
A true work of art!
I am most fortunate to be one of the recipients...
those shots of your books as a collection are quite delightful
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